When Sada Mire fled war-torn Somalia as a frightened teenager, the nation was descending into darkness, mired in the grip of a long civil conflict.
But several years later, when she returned to the Horn of Africa as an ambitious archaeologist, her fierce determination and meticulous fieldwork brought to light the region’s rich cultural heritage.
In 2007, her archaeological pursuits resulted in the discovery of 5,000-year-old rock art in Somaliland, a breakaway state in the northwest corner of Somalia.
The prehistoric findings, which include renderings of animals as well as human figures, are significant in enhancing understanding about the prehistoric way of life across the region, says Mire.
Somaliland’s , Mire is now on a mission to preserve and protect what she says is a heritage at risk of disappearing.
Ancient findings like the rock paintings, which were discovered at Dhambalin, in a sandstone shelter near the Red Sea, not only have historic importance, but also help restore a sense of self-esteem and cultural pride in the people of Somaliland, she says.
Many were completely unaware of the existence and significance of archaeology before the discovery of the cave paintings.
“I would bring them to the site and explain how important the site is potentially for helping them,” Mire says.
“Initially it was very difficult to communicate that but after a while I managed to get their attention — they even ended up sort of feeling a sense of dignity that actually ‘this is our site’ — a feeling that ‘we have nothing but we have this.’
Somaliland declared independence in 1991, but isn’t internationally recognized as a separate state.
Mire spent her early years in Somalia’s capital Mogadishu, along with her identical twin sister Sohur. There, the two sisters enjoyed a normal childhood until a bloody conflict erupted in 1982.
Their mother decided that their future would not be in Somalia and started to plan an escape to Sweden.
When the two sisters arrived in the Scandinavian country, they encountered a completely different reality to the one they were used to before.
“I remember the first feeling was like a glass of milk in a fridge — sort of thinking why is it so cold? But I think we got used to it,” Mire recalls.
“The fact that it was totally, completely different to what we had experienced was in a way healing itself, because now you had nothing to associate with what we had been through — you could sort of reinvent yourself in a new world,” she says